Following the success of ToiletMartin PaperParr and ToiletAlex PaperPrager, ToiletMiles PaperAldridge is the third magazine collaboration from Toiletpaper duo Maurizio Cattelan and Pierpaolo Ferrari. British photographer Miles Aldridge has developed an editorial style that is both couture and chromatic but also surreal. He is influenced by the films of Federico Fellini and David Lynch and the photography of Richard Avedon, as well as the album covers and book designs created by his father, Alan Aldridge.

As one of Aldridge’s own inspirations, David Lynch, once said of his work: “Miles sees a color-coordinated, graphically pure, hard-edged reality.” This latest issue of Toiletpaper sequences a selection of Aldridge’s glamorous and elaborate mise-en-scène images in a palette of vibrant acidic hues.

Miles Aldridge rose to prominence in the mid-nineties with his arresting, highly stylized photographs with references to film noir, art history and pop culture. Born in London in 1964, the son of famed art director and illustrator Alan Aldridge, his interest in photography began at an early age when he was given a Nikon F camera by his father. An acclaimed colourist, Aldridge renders elaborate mise-en-scènes in a palette of vibrant acidic hues. These glamorous images probe society’s idealised notions of domestic bliss where sinister undercurrents swirl beneath a flawless surface. Aldridge has worked prolifically for more than thirty years. Miles’ work is in the permanent collections of The National Portrait Gallery, The Victoria and Albert Museum and The British Museum and his work has subsequently been featured in TIME, The Face, the New Yorker and Vogue Italia. Maurizio Cattelan has exhibited internationally in leading international institutions and has participated numerous times in the Venice Biennale. He curated the 4th Berlin Biennale together with Massimiliano Gioni and Ali Subotnick. In the meantime, he managed to promote ‘No soul for sale - A Festival of Independents’ that took place in the Turbine Hall of the Tate Modern in 2010 along with giving birth to art magazines such as ‘Permanent Food’ and ‘Charley’. Since retiring from art, after the acclaimed retrospective at the Guggenheim Museum in New York City, he totally committed himself to the new publishing project, ‘Toiletpaper’ magazine. Pierpaolo Ferrari is a fashion and advertising photographer and creative researcher. In 2007 he began a productive contribution with ‘L’Uomo Vogue’ that offered him the chance to explore the portrait’s potential and radically change its codes. In 2009, the metamorphosis is completed thanks to sharing his new publishing obsession with Maurizio Cattelan: ‘Toiletpaper’ magazine. When he’s not shooting, he can be found surfing in Costa Rica.

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